UVM LCP Photo Interpretation
Photograph Interpretation
Please try our tutorial on
Describing Images
by Paul Bierman, UVM Faculty
When viewing photos, ask yourself questions about these topics:
Land Use
(How did people live? What part of the land
were people using? Where were they farming? What were they
doing?)
Geology
(What does the surface of the landscape look
like? Are there obvious surface processes such as landslides or
erosion? Is the stream channel braided or meandering? Where is the
river cutting?)
Biology
(What plants are in the photo? What sort of
wildlife can be seen or inferred?)
Ecology
(What sort of patterns can be seen in living and
non-living things seen in the photos? Are the plant communities the
same in the historic and current photos? Are species arranged in the
same way as we see them today?)
History
(How did people live? What was going on in
state (national or world) history at the time this photo was taken?
What sort of technology is evident? What do the buildings look
like?)
Geography
(How can we relate how people are living with
the environment in which they live? How is the natural environment
confining or determining the location of various human activities in
the photo? What do the cultural materials or raw materials (bricks
stones, lumber) say about the landscape from which they come? How
are people using those materials?)
Context
(Why was this photo taken? What particular
feature was the photographer emphasizing? What do you know about the
photographer?)
Looking at photos
. Enjoy the subject of the photo that
draws your eye toward the center, but also be sure to pay attention to
other parts of the photo. Scan the edges carefully. Ask yourself
questions about what you're seeing. As you look through more and more
photos, begin to ask yourself about trends you're seeing in the
photos. Where were people living? How were they using the land? Where
was the land that people were using? What are the connections between
land use and the underlying geologic features?
Landscapes in context.
Understanding the context in which
photos or other historical material were created is critical in
understanding what it says about history. Often we are deprived of
more information about the photos that we have in our collection,
forced to interpret them at face value. The more you can learn about
the context in which the photo was taken, the richer your
understanding of that photo and that time period.
In looking at the photos in a landscape context, we can look for
larger trends in meaning in the photos. Often photos have an intended
subject such as a house or bridge, barn, family, event etc. but also
intentionally or unintentionally capture images of the landscapes
beyond. By focusing on changes in the landscape seen in the photos, we
are taking them out of the context in which they were photographed
(e.g. commemorating that barn-raising or new road) and using them as
examples of landscape-level changes. The proud, kept fields that
covered 80 percent of the Vermont landscape in the 1850s are seen
clearly in all sorts of photos that undoubtedly were taken for other
purposes. In this sense we get a sneak peek into how things were
without bias. On the other hand, many photos were meticulously framed
by the photographer to capture and portray specific facets of the
landscape, perhaps exaggerating certain things and leaving out
others. It is impossible to understand exactly what the photographer
was hoping to show in a certain photo. Look for patterns across many
photos to gain a sense of what the landscape looked like and how its
changed over time.
Why was the photo taken?
Photos are inherently biased in
the sense that they include some things and leave others out. This
gives us an incomplete record of the landscapes of Vermont. Early
photographers just as you and I, often photographed what is special
and out of the ordinary rather than the commonplace. This suggests
that we must begin by asking ourselves why a photo was taken.
Sometimes you gain insight into this by looking through several photos
of that collection. For example, as you see more and more stereoviews
of Vermont, you begin to get a sense that they're biased towards
unusual and spectacular Vermont scenes, while other photos are often
focused on the buildings and built environment, ignoring more remote
areas. In this sense photos can deceive us. For example, as we see
more and more photos of buildings in town, we can be lulled into
thinking that town life was the reality of the "common
Vermonter" while the situation may have been much more farm and
field centered and yet fewer photos of that part of life may have been
taken.. Nevertheless photo documentation does offer insight into the
natural and cultural history of the Vermont landscape. It allows us to
"see" how things were and how they've changed.